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Login Subscribe To renew a subscription please login first. The decorative highlight of the room is its floor, an intricate example of symmetry made out of a variety of exotic timbers. The story of Clontarf, from battleground to garden suburb Read More. On the left is a small study, called the Zodiac Room owing to its hemispherical dome decorated with the symbols of the zodiac; on the right is a rectangular room, the China Closet, with a geometric inlaid floor and decorative plasterwork. The subtle use of scale reinforces this illusion. Caulfield was a major patron of the arts and spent nine years on a Grand Tour of Europe; unusually for the time, his travels brought him as far as Asia Minor. These were executed by Simon Vierpyl c. Nicola Reilly is a student at University College Dublin, studying geography, planning and environmental policy. The centre door leads to the saloon, hung with shimmering blue silk. That field of glory. Doors on either side are disguised as wall sections. Entering, the visitor first sees the vestibule, which appears large and welcoming despite its relatively small size. Samples of the original fabric were found during earlier conservation works. From above, the Casino is shaped like a Greek cross, and in elevation it is designed as a Greek temple. All images: National Monuments Service. A lion sits on each corner of the podium: these were originally designed as fountains but this was never implemented. Above: Patrick Bronteβ€”tragically outlived all his children. He hides features such as chimneys and rainwater pipes to preserve the aesthetic; the urns on the roof act as chimneys, while rainwater runs down through the columns into the basement. Caulfield met his architect, Sir William Chambers β€”96 , on his travels. Personal Histories is an initiative by History Ireland, which aims to capture the individual histories of Irish people both in Ireland and around the world. The Casino was built in neo-classical style. The vestibule with semi-circular apse and floor of rare timbers. All rights reserved. At that point theft and dry rot had affected the building badly, but since then it has been restored and is open to the public, allowing everyone to appreciate this whimsical garden ornament for the fascinating example of scale and architectural trickery that it is. The Casino took twenty years to complete. Click Here to go to the Personal Histories page. The Casino at Marino, north Dublin, is one of the finest garden temples in Europe. The design features large ornamental urns, ox-head designs and statues of the Roman gods Apollo, Bacchus, Ceres and Venus. On his return, he demonstrated his love for classical architecture by commissioning the Casino as a pleasure house on his estate. The sixteen rooms are small but very well proportioned to avoid a sense of overcrowding. These techniques were subsequently adopted by his student James Gandon β€” in his design for the Custom House β€” The Casino appears to be a single-room temple when in fact it contains sixteen rooms over three floors. This effect is achieved by extending the space into a semicircular apse, from which the three principal rooms lead off. If you continue to use this site we will assume that you are happy with it.{/INSERTKEYS}{/PARAGRAPH} The room is extremely ornate, with Ionic columns of gold and white, and bright turquoise walls featuring the Greek key pattern. {PARAGRAPH}{INSERTKEYS}To renew a subscription please login first. Upstairs, the main room is the State Bedroom, where Caulfield would have received guests. From the outside the Casino appears to be a single-room temple when in fact it contains sixteen rooms over three floors. It is hoped to build an extensive database reflecting Irish lives, giving them a chance to be heard, remembered and to add their voice to the historical record. Instead of visiting Ireland, Chambers sent drawings and instructions over from London. It was built in the s in the grounds of Marino House, a hunting lodge inherited by James Caulfield β€”99 , first earl of Charlemont. It sits on a podium, with steps leading up to a door on the north side. Caulfield attempted to evoke the ancient buildings he had seen on tour instead of the Renaissance interpretations of them that he had seen in much of contemporary Georgian architecture. Search for:. For instance, the door case is almost the full height of the building, but only part of it opens, and there appear to be a few tall windows, but most are subdivided between rooms and one does not admit light.