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I have almanac and advancing guitarist and working through cycles close triads. Sorry I can't do better. I'm not saying the Casino or baby Casino can't do jazz, or that P90's are not a good pickup--I had one in my Godin Kingpin, which was a great guitar for jazz. I started playing guitar as a pre-teen 50 years ago. Stay strong buddy. Join Date May Posts 1, The T does not have the solid pressed top of my Savoy. I did lower the neck pickup alot to get the sound I like. I just started studying open triads so never played in I know this is an old post, but I have the same issue with a H Not a big deal when you have the amp up, but different when the amp is low or you are playing acoustically. I could get you a good jazz tone out of a Casino, I guarantee it. I just got rid of the one I had I just didn't bond with it, but no fault of the guitar. Search Titles Only. Which is a big if TBF. Thanks man , I just watched a clip of the Dida video , looks interesting stuff. I like the P90's on it. Thinlines are the way I want to go. I hear a lot about what's "good for jazz," or "appropriate for jazz" Lately. One of the pups on the Casino was weak but considering the price differential its a great git. When I hear recordings of myself I am always surprised how remarkably similar I sound on all my guitars, be it my ES, ES or even my thinline Tele Wouldn't mind owning a nice or Casino though Little Jay, I think it is because we all have an idea of how we want our sound to be, thus we make everything sound that way. I don't really think like that any more tbh. Originally Posted by Doctor Jeff. Hi, I have had many semi-acoustic and fully acoustic thinline guitars through the many years that I have played. Any tune by Kenny Wheeler Thanks Man for letting me know about the mick goodrick thread. I have no problems with the current Chinese made models. It seems my preference is for semi-hollow over fully hollow I have an older Korean model and a a CS , playability on both is identical. Priced reasonably, and returnable. Either the Gibson ES that Grant Green favored or the Epiphone Casino are super guitars for covering rock, blues, country, and--of course--jazz.

It is always difficult to catch the color of a sunburst. It is very important to me. Easiest is to buy a new one. I've been click many of source type and own an excellent EST today.

P90's are click to see more jazz pickups.

Good luck with your pursuit! Considering the income of a profesional jazz player, he most likely couldn't choose freely as far as instrument goes. A bad sign since I really like the type. I have one from a few years later and kept it stock. Don't get me wrong, my was a marvelous guitar, capable of covering any scene--much the way my Telecasters could.

Moreover, a epiphone casino coupe jazz of people seem to think they can get a or style guitar and sound like Grant Green, but he and his guitar were something special, and it's hard to replicate.

Any experiences? I have not boxing casino monte carlo a Casino or Casino Coupe--they seem like nice guitars, but not really configured for jazz, especially with the P90's.

Epiphone casino coupe jazz are nothing without a melody. Remember, this Great Nation is built on Debt! He would likely have to get the best he could for his money, from a friend, from a pawn shop, who knows when he needed it and then make the best out of it. I played a Telecaster Thinline for a while.

I used to have an Epi Dot too, but that's another story. I don't bother with the bridge pickup You are looking for problems that do not exist IF the teacher epiphone casino coupe jazz their eyes and ears open and reflects on their practice.

I know there epiphone casino coupe jazz many incarnations! Green was a married man with kids and in addition at times also had a drug habit to support.

I played a Gibson ES for close to 20 years. Among guitars I have experience with, the top contenders would be the Peerless Sunset, Gibson ES heavy and Godin Premiere, all without mods or much fiddling around.

That is probably why I will sometimes use a Strat on epiphone casino coupe jazz neck or middle pup with the tone just slightly rolled down to about 7 for my jazz sound, just to be different from my or Wildkat. They are on epiphone casino coupe jazz at the moment, but I'm totally willing to sell them outside that platform for Congrats on the It looks very nice.

John was kind enough to shoot a couple shots outdoors after the guitar was sealed, the sunburst and a few coats of nitro were applied.

Full size, and the Casino Coupe - seems like great options. Overall, I would say that I developed a marked preference for fully hollow thinline guitars, relative to guitars with a center block, or relative to guitars with chambered-out bodies. I will say that the Casino and its partners are not made and marketed for jazzers, and versatile as the P90 is, it's main distinction is IMO not mellowness but growliness and bite.

This Go here is after some mods and sounds very interesting. I don't seem to see much said about Epiphone Casinos here But what are the opinions on them?

I like the old ones the best and the ones made in Japan next best. I know there's a lot of affection for the styled guitars around here--I could be wrong.

Those hollow body guitars are real winners. Please try this. Just some simple Mark, Best of luck to you with your surgery. Epiphone Casino. In epiphone casino coupe jazz of pure soul-satisfying tone, however, my could not compare favorably with even the much less expensive EST.

Blind following of this or that method, however I've got a fair number of old archtops. The Jazz Guitar Chord Dictionary. That's why you see a lot of 's etc. Thread Tools. I held a Casino Coupe in a store can't remember exactly why I was not excited. Join Date Apr Posts Originally Posted by mr.

I have also played many Matsumoku-made copies of Gibson guitars, including some Epiphones. I have two Chinese Epi's now, but one is heavy a semi-hollow and the ES is almost ideal. Originally Posted by oldane. Still, the Korean and Chinese guitars are well made and are fun to play.

And maybe the rest of us should do the same.

Bob Benedetto recommended a narrow bridge in his book. Nothing "top shelf" I suppose because as it turns out I've always been quite happy with guitars like my two L-7's, a '52 ES, a '57 ES and a hodge Jimmy D'Aquisto thought that a wider bridge did transfer the vibrations better - that's why he made them that way. To the best of my knowledge, I found a very interesting site to practice triad stuff. This made me think a bit OT. Join Date Mar Location oslo, norway Posts Here's the Gibson es with p90 pups through a Roland cube This guitar is the same size as the es but fully hollow like the es It can do jazz if you want it to.